Excerpt of a story published in Art Collector, Jan-Mar 2015
Tomislav Nikolic insists his work doesn’t reproduce well. For him, painting is a three-dimensional object and photography only flattens it. For his last exhibition at Jensen’s Sydney gallery, he applied multiple layers of transparent colour washes to paper. “By applying dozens or even hundreds of coats of paint it builds up a density and a body of colour. When you’re looking at what looks to be one solid colour, you’re actually not looking at the surface, you’re looking through hundreds of layers of paint,” he explains. Only by looking at a work in the flesh can you get the experience of “how that colour and that pigment and that medium behaves,” he says.