“Repetition, the photograph, the copy—all of those were methods to find a deeper connection,” says Lindy Lee, reflecting on the threads running through her diverse 35-year practice. In that time, she has worked with photocopies, photographs, ink, wax, bronze, paper, steel and fire. She has developed a vivid and symbolic language of colour and then moved towards somethings much more austere. “To me, it’s this continuous journey,” she says. Continue reading “Lindy Lee”
Published in Australian Art Collector, Issue 58, October – December 2011
For the first time, this year’s annual Primavera exhibition has broken free of the gallery, presenting curator Anna Davis with the chance to showcase young artists working in performance and public art, reports Jane O’Sullivan.
This year Primavera, the Museum of Contemporary Art’s young artist exhibition, is something of a homeless beast. The museum’s own gallery spaces were off limits because of the construction work for the new MCA wing. One option could have been to find a host gallery – as was the case with the MCA’s Tell me tell me exhibition earlier this year, staged at the National Art School – but curator Anna Davis thought there were more interesting avenues to explore.
Continue reading “Footloose & fancy free”