With an eye for capturing the colonial holds of history while communicating her profound spiritual connection to Country, in My Place – Before Marlene Gilson paints the history of her home. In vibrant, detailed and narrative-driven works, she shows the ongoing presence of Wathaurung people through the goldrush, alongside the building of Ballarat and the years that followed. Full story on Art Guide.
Atong Atem’s commanding works examine the power dynamics embedded in photography, the role of the photographer, and postcolonial and diaspora narratives.
In photographic portraiture, “there will always be some kind of imbalance, even with collaboration,” she says. “I’m interested in how we can challenge the way that power has historically been wielded.”
Full story in the print edition of Art Guide, January-February 2020. Cover artwork is Atong Atem’s Self Portrait in Blue, 2018.
I spoke with Jumaadi about his major exhibition My love is an Island Far Away at Mosman Art Gallery. The title is taken from a poem by Chairil Anwar. As he says:
The poem is celebrating the independence from the Dutch in 1945. It was written about 1946, and then he died a year later, around 27-years old. It captured the restlessness of the time, but in the manner of romantic poetry. I guess that’s how I approach my work, with a grand narrative but very personalised. It’s about love and birth and a way of connecting people.
Full interview in Art Guide Online.
“I’m not ever trying to just paint a photograph,” says Mark Tweedie. “The way I paint, I’m being very selective. My paintings are more like a memory…The things that I’m not interested in, or that may not be relevant or have little meaning to me, I make them less saturated, I use washes on those aspects, I keep the paint quite thin. Whereas if there’s something I really want to draw attention to, or it’s something that I remember, then I use colour or thicker impasto paint or a different technique, a more controlled or tighter technique.”
Full interview in the print edition of Vault, Issue 28, November 2019-January 2020.
Well, you could probably write a book on the topic of Australian artists and the struggles they’ve faced making it overseas. I almost did.
Luckily, only the six-page version made it out into the world, as part of the Australian Financial Review Magazine’s annual arts issue.
The featured artists Patricia Piccinini, Alex Seton and Christian Thompson are among those who are starting to get more international recognition – here’s to that!
Full story in the Australian Financial Review Magazine, March 2016.
Update: Patricia Piccinini’s amazing Brasilian exhibition, which I talk about in this story, made it to #2 in The Art Newspaper’s list of most popular exhibitions in 2016.
A major feature for the culture section of the AFR’s weekend edition, looking at Sydney Contemporary and Spring 1883, and the growing importance of art fairs in the Australian art market.
Full story in the Australian Financial Review, Weekend Edition, 5-6 September 2015.