Renee So began working with ceramics around the time she moved from Melbourne to London in the mid 2000s. “I was doing lots of research into European trade in the 1700s,” she says. “European trade with China and porcelain were a big catalyst for that and the subsequent ceramics industry in Europe, so I became interested in that material. It had this Chinese identity and provenance…It was sort of the first thing about China was desirable to Europe.”
Full story in the print edition of Art Collector, Issue 91, January-February 2020. Portrait pic by Richard Eaton.