“I have a real love of the history of painting but then, in places like the Louvre, there are these little cornices that are beautiful and amazing, and those decorative elements affect the decisions I make in the studio,” says Gregory Hodge about the textures of Paris. Continue reading “Gregory Hodge”
This was a fun one! I got to speak to three amazing artists, Maria Fernanda Cardoso, Tai Snaith and James Tylor, about the connections between art and cooking in their practices, and what they’ve been cooking during iso. Read the full story and find their recipes over on Art Guide.
Nyapanyapa Yunupiŋu’s practice defies easy categorisation. The Yolŋu artist is known primarily for her bark paintings but she has also made ghostly fields of larrakitj, drawn on acetate, worked in multimedia, recycled materials and sculpted animals from beach hibiscus. Continue reading “Nyapanyapa Yunupiŋu”
Ali McCann’s photographs explore light, colour, space and form. Much of the tension comes from the way she contrasts solid objects with reminders of the ever-shifting nature of pedagogy, fashion, knowledge and memory. Continue reading “Ali McCann”
In the group exhibition Hi Vis, fashion is used to arrest attention and focus it onto complex political ideas. This show at Casula Powerhouse Arts Centre presents a mix of video artworks alongside wearable sculpture, outfits worn by performance artists, and fresh fashion from Western Sydney. Continue reading “Hi Vis”
Jane O'Sullivan 