Flux and change prevail in Pieces of Spaces and Other Places, a collaborative exhibition project by Carla Cescon and Tina Havelock Stevens. The idea of fatalism is handled in different ways: Cescon through tarot and symbolism, and Havelock Stevens through forces of nature.
Rhonda Hamlyn’s decade-long collaboration with her mother Susannah (Beatrice) Hamlyn was intense, involving long hours at home together making layered, densely embroidered textiles. They called these works patterned rugs, and later also wall hangings, but the suggestion of soft furnishings was misleading.
They were not entirely abstract or representational, but instead offered slow synaesthetic meditations on language, meaning, sensation and experience.
Their works were not easy to categorise. Rhonda Hamlyn (1944–2015) and Susannah Hamlyn (1916–1994) began their collaboration in the early 1980s, at a time when clear pigeonholes existed for women’s textile work. Their rugs drew on handiwork traditions, shared knowledge and collaborative practice, but did not slot easily into these narratives.
Full story in the Spring 2020 issue of Art Monthly.
“Repetition, the photograph, the copy—all of those were methods to find a deeper connection,” says Lindy Lee, reflecting on the threads running through her diverse 35-year practice. In that time, she has worked with photocopies, photographs, ink, wax, bronze, paper, steel and fire. She has developed a vivid and symbolic language of colour and then moved towards somethings much more austere. “To me, it’s this continuous journey,” she says. Continue reading “Lindy Lee”→
“I have a real love of the history of painting but then, in places like the Louvre, there are these little cornices that are beautiful and amazing, and those decorative elements affect the decisions I make in the studio,” says Gregory Hodge about the textures of Paris. Continue reading “Gregory Hodge”→
This was a fun one! I got to speak to three amazing artists, Maria Fernanda Cardoso, Tai Snaith and James Tylor, about the connections between art and cooking in their practices, and what they’ve been cooking during iso. Read the full story and find their recipes over on Art Guide.
Nyapanyapa Yunupiŋu’s practice defies easy categorisation. The Yolŋu artist is known primarily for her bark paintings but she has also made ghostly fields of larrakitj, drawn on acetate, worked in multimedia, recycled materials and sculpted animals from beach hibiscus. Continue reading “Nyapanyapa Yunupiŋu”→
Ali McCann’s photographs explore light, colour, space and form. Much of the tension comes from the way she contrasts solid objects with reminders of the ever-shifting nature of pedagogy, fashion, knowledge and memory. Continue reading “Ali McCann”→