In one way or another, the paintings in free to begin again all speak about potential. They speak about patterns and combinations. Twists of the wrist and twists of the future. About starting again, making things better, when you still have the afterimage of the past dancing behind your eyes.
Teelah George is no stranger to repetition. Her embroideries are shimmering fields of colour, built up stitch by stitch over many long hours. Despite the time taken to make them, they often feel like drawings, with the stitches forming drifts of tiny lines across the linen. Continue reading “Alternating currents”→
Kenny Pittock often lights on objects that are kitsch in the sense that they are valueless or disregarded, but he draws out unexpected lateral associations that give them new meaning. Continue reading “Word play”→
When I was editing Art Collector magazine, the January issue always meant crazy times. So many stories and pic requests and photo shoots and balls in the air.
This year, as a freelancer, I have to say I loved working on the special summer issue and it was an absolute pleasure to contribute pieces on Kushana Bush, Monica Rohan, Yhonnie Scarce, Deb Mansfield and Noel McKenna.
And, of course, I love the Patricia Piccinini cover! I can’t wait to get Brisbane to see Curious Affection.
How does that old Joseph Heller quote go? Just because you’re paranoid doesn’t mean they aren’t after you. Ben Rak, the printmaker behind Aura: Repetition, Reproduction and the Mark of the Artist at the Manly Art Gallery & Museum, does seem a little touchy. Why else would you take on all the things that have traditionally dogged printmaking as a medium?